Actually the sound difference between sampling rates depends heavily on the chipset used and how the audio path is dealt with. I have an old turtle beach sound card that still blows away anything that I have heard and the DSP on the card makes 8 bit samples sound pretty darn good. getting rid of the digital artifacts in the audio is a big key. CD quality is really only 16 bits, and unless you have really good speakers the higher harmonics picked up by the higher sample rates and higher bit resolution are hard to hear. (Although this will go with the flame wars on that bi-wire is better than single runs, flat wire, ribbon cables, monster wire, solid conductor versus stranded, etc... ) Unless you can take a bunch of different cards and play with them on the exact same system with the exact same listening location there is no way to really tell which is really better, and I have found that a illegal trick that used to be used in Home and car audio - the distortion box, is starting to be used in computer audio. :-/ those displays that have the neat buttons to select which speakers to listen to just may have a distortion box hidden inside. as for 8 bit's versus 16 on voice synth... do 16, it's easier on your head. but 8 will work fine. ---------- > From: Adam Wozniak <> > To:
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> Subject: Re: Hardware Speech Systhesis > Date: Monday, January 04, 1999 12:11 PM > > > Through a cheesy little earbud, I doubt you could tell the difference > > between 8 and 16 bit anyway. > > Most people can tell 8 bit -> 16 bit. > > Some of the newer PCI soundcards on the market also do 20, 24, and 32 bit > sampling. I can't tell 16 bit -> 20 bit. I can tell 16 bit -> 24 bit > for _some_ content, but not all. > > Some of the them also do 96 KHz sampling, but why I'm not sure why. I can't > tell 48 KHz -> 96 KHz. > > What bothers me more is that some of the older cards had sampling/playback > rates off by as much as 3%, especially at lower sampling rates (8 KHz). > Things sampled on such a card played back fine on the same card, but > import/export source from/to somewhere else and there was a definate > frequency shift you could really hear. > > This also wrecks havok with realtime multimedia streaming applications. > > Anyone know a cheap circuit to use a soundcard as an o-scope? I don't mind > frying a $20 soundcard, but I do mind paying several hundred (or even thousand) > for a decent scope. > > --Adam > > -- > Subcription/unsubscription/info requests: send e-mail with subject of > "subscribe", "unsubscribe", or "info" to
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